Millenium: Rap Sheet x Y2 Kaos Theory

Publicity Contact: arufus@houseofabdul.com 
© 1999 House of Abdul

MILLENIUM
Y2Kaos Theory
Emerging Overground

The Y2K Bug won't to the only mark of the millenium If one Maryland emcee can help it. 18-year old Clinton Green, a.k.a. MiHenium, says he plans to blaze trails through the Rap industry with Kaos Theory, a collection of true-to-life
tales and Rap revelations.

"All I do it state the obvious," says Millenium. "I'm not preachy, but my rhymes
have morals In them."

"If you steal and rob from people, you'll get caught up.  I rap about anything from love to, deep thoughts, to anything you can think of."

Millenium mixes his morals with a style he compares to East Coast rhymers like Nas,
the Wu-Tang Clan, and the late Notorious B.I.G. But he says his style is unique in that it focuses on everyday occurrences, not glamour or trashy
tales of gangsterism.

But Gangster Rap did play a large role in Millenium's decision to pick up the mic. His inspiration - Dr. Dre's watershed album, "The Chronic."

"At first, I wasn't into music at all." Millenium recounts. "When all of that stuff came out with East Coast vs. West Coast. I didn't even know the difference. I really didn't care."

But after hearing The Chronic and later Wu-Tang's "C.R.E.A.M." single, Millenium began writing his own rhymes. His handiwork soon caught the attention of Casino, his current manager, and they began a campaign to get him signed to a record label.

"I signed to House of Abdul: an Independent label," he says. "I signed with them because they're fearless. They aren't afraid to take chances. I do anything and everything."

Millenium Juggled schoolwork at Wheaton High School with Rap, making a name for him-self among local venues in Maryland. After the March release, Kaos Theory itself is making a debut In the South as well as New Jersey.

"Right now, I'm knocking on a lot of doors," he says. "Maybe somebody major will answer." But until he gets that answer. Millenium is enrolled in Strayer University in Maryland. The Rap artist is pursuing a computer networking degree.

"I don't care what anybody says," Milleniun stresses. "nobody is going anywhere without certification or an education, I'm always going to be talented. Whether Rap success comes today or tomorrow. It's going to come. I don't want any limits on me."

--Kyra Kylan

Millenium: Vibe Magazine

Publicity Contact: arufus@houseofabdul.com 
© 1999 House of Abdul


Vibe Magazine Highlights

       You know we’ve hit a strange point in history when rappers begin declaring that their introduction to hip hop was neither a late-‘70s Cold Crush tape nor the Sugarhill Gang’s 1979 “Rapper’s Delight” nor even Run-D.M.C.’s 1984 “Sucker MC’s” but rather the Wu-Tang Clan’s 1993 hit “C.R.E.A.M.”


       Eighteen-year-old Washington, D.C. product Millenium freely admits that the Wu’s paper-chase primer inspired him to pursue rap music seriously. Fortunately, the Chocolate City man-child has put this influence to good use. Witness Millenium’s own elegantly gruff “ Fantasia” (House of Abdul, 703-751-1313), the B side to his “How Far Will You Go” single. Celestial strings and the sampled voice of the forever-solid gold Dionne Warwick Crooning “This enchanted love of ours…” provide setting for a story line that traces young infatuation through betrayal and lost love to, ultimately, death. Life as a shorty shouldn’t be so damn difficult.

CHAIRMAN’’S CHOICE, AUGUST ’99

Millenium: CMJ New Music Report

Publicity Contact: arufus@houseofabdul.com
© 1999 House of Abdul

MILLENIUM

Kaos Theory

       Floating with ease over a diverse set of beats and tempos, this young lyricists from Virginia attacks the mic with the combined charisma of Notorious B.I.G. and Keith Murray. From gritty jewels like “Run, Run, Run,” to the souled-out “Fantastia,” Millenium proves age still ain’t nuthin’ but a number.

By Kyle Allen

Millenium: Rap Sheet

Publicity Contact: arufus@houseofabdul.com 
© 1999 House of Abdul

   How far will you go to touch that green? That’s the question that House of Abdul recording artist Millenium asks the people of this unforgiving world.


 
    He speaks a conscious and impressionable message in this first single off his soon to be released self-titled album. Millenium credits his first listen to Wu-Tang dimepiece C.R.E.A.M. for giving him his motivation for writing. His first track “How Far Will You Go?” tests that same Wu philosophy of the mission of that mighty paper chase with a subtle flip of the script. Millenium has thought provoking lyrics that impose the pivotal rule that stupidness and negativity don’t mix. The hook asserts: “Everybody want it/ but everybody can’t have it/ it’s amazing what people will do just to grab it.” Millenium is a welcome addition to the Rap game as he comes to the bat with music that inspires. Millenium ends on this pertinent question. “ How far would you go? Far enough to die?”

-- S. Jenkins

Millenium: The Source Magazine

Publicity Contact: arufus@houseofabdul.com
© 1999 House of Abdul

       Slide with me to DC for a minute while we check on a young’un whose gonna blow the lid off the Capitol building like Beanie Seagal cracked the Liberty Bell.


        You might’ve never heard the name Millenium before, but ya’ might just have to if ya’ wanna keep ya’ “Hip Card” current. The 18-year old B-More born/Devil City residin’ MC’s got a 16 track portrait of the mind of an intelligent hood at a crossroads. M’mam is nice with his, point blank. And one listen to Kaos Theory, his debut on House of Abdul recordings, will show and prove why this kid won a local radio station’s weekend freestyle battle for four months straight!!!! Believe me, when you check cuts like “Run, Run, Run”, “How Far Will You Go?” and the title track, you’ll agree that this teen-aged terror’s got a very old soul.

Millenium: Kaos Theory

1. Intro    a
2. Run, Run, Run   a
3. Fantasia    a
4. She's Leaving With Me  k
5. How Far Will You Go?  k
6. Interlude    k
7. Gunpoint    a
8. Wish You Was Here   k
9. The Alphabet Song   a
10. Too Hot     k
11. All Up In The Game   a
12. Everclear    d
13. Street Wars   a
14. Ga-mingh Technique   a
15. The Remedy   d
16. Kaos Theory   a

Under the Executive Production and Direction of Abdul.
Associate Execs: Casino and Millenium
All songs written by Millenium except Gunpoint (C. Greene, A. Moss, and R.Terrelonge), She's Leaving With Me  (C. Greene, C. Stringfellow),
and All Up In The Game (C. Greene, J. Murillo).
All songs published by The Infinite Loop, ASCAP
Producers: Anomaly for Black Anom Productions. King C for Facts Men Productions, and De Compose for De Compose Productions.
Engineers: Mike Cross, Terry White, and Jay.
Recorded, mixed, and mastered at MC Sounds, District Heights, MD.
Featured Artists: Spatcho-B, Jady Experience (courtesy of Depth Charge Recordings), Cas, and Rah Dee.
Background Vocals on all songs by Millenium, except Kaos Theory by Millenium, Mike Cross, and Casino. And on StreetWars by Casino and Millenium.
Keyboards on Intro: Craig Matthews
Photography: Justin Lane
Art Direction: The Fump
Millenium managed by Kazi Entertainment
Technical Support for Kaos Theory: Arron Gee-Clough
© 1998 House of Abdul
Release #: HOA24592

T H A N K   Y O U S

Millenium: First, I would like to thank God for blessing me with the gift of writing. Secondly, I would like to thank my father for always wanting the best for me. Next I would like to thank my sister for showing me how to be a fighter and not give up (I love you Meiinda), and my brothers Dex, a.k.a. Brother Numsey, and Benny, a.k.a. Bugsy, for always keeping it real with me, and the entire Greene family: Nikki, Junior, Aunt Carol, Aunt Diane, Aunt Hazel, Uncle Waiter, Uncle Vybert, Uncle Mortimer, Aunt Judy, and Grandma, because all of them helped in raising me. I would also like to  thank Casino (one of the realest niggas I know next to my brothers and father) for having faith in a nigga and sticking with me through thick and thin, Abdullah Rufus for giving me a chance and making this happen, Paul Keller, a.k.a. Juel Diamante, for showing me how to be real without being a knucklehead, Francis Fefegula, a.k.a. Andreas Costello, for always letting me know what the deal was. Big Marcus, Doug, E-man,The Empire, The Regiment (coming soon), the whole C.O.C. Spaceman, Sach, Don Ray, S.D.S. Clan, Bamboo (Rest in peace). Little E, all my peoples in D.C., V.A., M.D., B-more, and my nigga blackanomoly. And finally, I would like to thank all the people who didn't believe in me and who said I wouldn't make it, because without them I would have never tried so hard to become what I am today MILLENIUM.

Casino: As we travel along this path destiny has laid forth, in order to be able to continue to reach new goals and accomplish great feats I must remember the people and actions that took place to get me (us) to this point: My first thanks is to Mill. & H.O.A. for sharing my vision and being dedicated enough to accomplish the goal we set to achieve. This feat alone shows that we as a team are unstoppable and as long as we stay focused and straight with one another there is nothing that cannot be done. Abdul: thanks for the shot, I know we didn't let you down, no where to go but up now. Mill: I have to congratulate and thank you for a job well done - good work playa, thanks for believing in me, listening, letting me do my job and puttin your life in my hands. I also have to thank Charles and Robin for doing their best at that parenthood thing and even though they could not do all they wanted they did all they could, which was enough. Reggie -without a start I could have no ending, and I thank you for the life preserver. Warren & Bink, my  road dogs, family is always most important and I could not have done what I do on this side without the guidance to keep me focused, thanks for being in my corner and telling and most importantly showing me I could do anything, as long as I had a plan. Like U say, it's too late in the game to make new friends. My wonder twin of the other sex - thanks for being the fool you are to keep me down to earth 2x. And last but not least, I thank God 4 giving me the life I have and for the sunrise I wake up to every morning. Also, the Egertons, Palmers, and the rest of people who believed in us. Oooh yeah: If I forgot about you, you didn't do shit anyway, so what the hell do you expect? Thanks for sleepin on us, we didn't need ja anyway. Kazi Entertainment & Management for the New Millenium!! Do or Die Baby- I'm Out.

Abdul: I would like to thank Jackie, Beau, and Buddy for my moral support. It has been a pleasure working with Millenium, Casino, and Anomaly.

Millenimn: DJ Most Dangerous

Publicity Contact: arufus@houseofabdul.com
© 1999 House of Abdul

After the long wait to hear my comments on Milleniums album I finally let you know what I think. After first receiving the CD I fell in love with how well organized and put together it was. The tracks stretch from Slow jam to Get up and party.
Personally I thought the first single released could have had better selections but it still had one of my favorites the Ga-mingh Technique which I still rock on my personal tapes.

Those who have checked out the radio show Know I feeling the second single including Fantasia and believe it was a perfect choice for the second single released. As my man RBI once said There are to many rumors going around about this cat. Which is true and I hope won't stop you firom purchasing the joint at a store near you. All I can say is don't believe what you hear until you get the facts. The album is off-the-hook in my opinion and I know I'm not the only one feeling this way.

By: DJ Most Dangerous

Millenium: Bio Kaos Theory

     It is 1999 and everyone is talking about (the) Millenium.  It’s not the end of the world, but the beginning the new rap generation.  Not the first generation who grew up listening to funk and disco in the ‘70’s, but the youngsters whose first taste of hip-hop was Wu-Tang Clan.  "I didn’t listen to much rap until I heard ‘C.R.E.A.M.,’" says the 18 year-old Millenium.  "The joint was so beautiful, I immediately started writing."  Born in Baltimore and raised in DC, Clinton Greene has had the area watching for him like the other phenomenon of the same name.

        When Millenium started writing rhymes, he went out and got battle tested.  He won his high school’s prestigious Blue & Gold talent show for 2 consecutive years.  On a local radio station, he dominated their weekend freestyle battle four months straight.  His record is still unblemished -- no one beat Millenium, he just stopped calling.  "It was getting boring for me and the station."  He then called in to WPGC, one of the top radio stations in the country, and won the rhyme battle for that night.  "I did not call again," says Millenium.  "People claiming to be me started getting on the air after that.  It was so foul, that I no longer go by that name."  That was one of the reasons he wrote the single, "How Far Will You Go" from the House Of Abdul debut album KAOS THEORY.  "It’s a story about actions and consequences.  We often question ourselves in the quest for money -- how far will you go?"

     KAOS THEORY is a collection of vivid tales about the chaotic nature of life.   More stories about actions and consequences abound with joints like "Run, Run, Run,"  "Too Hot," and "All Up In The Game" featuring Jady Experience.  Hip-hop braggadocio is the theme on "Street Wars" and "Gunpoint" with Rah Dee and Raul.  It’s his grasp on relationships with "Fantasia," a tale about love, lust, and betrayal, that demonstrates his superior penmanship.

     "I just want to write some nice songs for the people to listen to and get something from," says Millenium. KAOS THEORY will reach the people and make sure that the young man’s words remain powerful for the next 1000 years.

Millenium is approaching!

Millenium’s Kaos Theory: Rhyme & Reason

written by Millenium
From the lp Kaos Theory
Published by The Infinite Loop, ASCAP
Publicity Contact: arufus@houseofabdul.com
© 1999 House of Abdul




The intention of "Kaos Theory" was to show the youth of
today commonly referred to as "Generation X" through
detailed stories the consequences of the "fast life" and to let
them know that we got*s to change things and show
improve. The Millennium is nearing and I can't fight a battle
with blind soldiers armageddon is near! 

1. Rhyme-Run,Run,Run

Reason-I wrote run mainly to symbolize the thought process

of a confused, young, poverty stricken black male wanting to
make a better life for himself but going about it in a way that has
severe repercussion as many of today's young black males do. The
hook is the message i send to my listeners that no matter what
you do or where you go the outcome of your actions will always
come back to you.

2. Rhyme-Fantasia

Reason-Fantasia is nothing new to anyone who has ever had a

close male or female friend that they wanted to be more than just
friends with. Fantasia is a story of love, lust and betrayal that ends
in a suicide. I wrote this because I ( like many other people) was
fascinated by a female but found that a relationship is not always
the solution.

3. Rhyme-She's leaving with me

Reason-I wrote this song after listening to the late great

Notorious B.I.G. "Big Poppa" wanted to make a smooth kind
of upbeat dance song without being to "Pop". In the song i
describe an average night at the club with your usual beverages
and those familiar faces from the past.

4. Rhyme-How far will you go?

Reason-In writing this song i wanted to send a message to
those young and old who choose to chase that "Fast" lifestyle
that it's not worth it and the outcome can be very harmful. lnstead
of just coming out and preaching to them i told a story in which
the character in it pays the ultimate price for the lifestyle he .
chose. I felt that this would get through to the listeners better that
an old fashioned "don't do wrong" speech would.

5. Rhyme-Gunpoint

Reason-This is a direct insult and threat to all mc's who want

a challenge. I wrote t^s because m4he rap game if you don't
make it known that your not taking anything from anybody other
artists and critics will take shots at your credibility and worth as
an artist.

6. Rhyme-Wish you was here?

Reason-I had to write this song to express my sympathy and

show that i know what my peoples is feeling when they use a
loved one in the struggle between good and evil. I was inspired by
the death of a very close friend who did not die from doing the
wrong thing but died trying to make a better life for himself the
right way.

7. Rhyme-Too hot

Reason-I was inspired to write this song after listening to yet

another song from the late great Notorious B.I.G."Somebody's
Gotta Die". The story line of that song was so vivid it was as if you
were actually going through the situation. This is why i chose to
write this song and a majority of my other songs with so much
detail so that i too could captivate the audience as he did with a
story so surreal you have to remind yourself that you are
listening to a song and not living it.

8. Rhyme- All up in the game

Reason -This song was written to show the depth and

ambition of a young male to be financially stable and at the same
time confront the hunger within himself on a mental level. While
the featured guess speaks on the actions of a "wanna be
hardcore" rapper.

9. Rhyme –Everclear

Reason -Everclear is the story of what it took for me to get

where i am at and where i might be going. I wrote the chorus with
a message to those wanting to pursue a career in the hip-hop
industry telling them that there is a price to pay but if you go
about your business right all hard work will be rewarded.

10. Rhyme-Street Wars

Reason-If somebody crosses me or any of my peoples i strike

back a million times harder than the blow that was dealt me. It's
the law of the land. You harm me and mine than consider your
life a memory

11. Rhyme -Ga-mingh Technique

Reason -The Ga-mingh technique is a message to all young

women out there who take pride and pleasure in sleeping with
various partners and turning their backs on friends and common
sense. Basically I wrote it to let the females know that men are
not the ones who should be faulted every time for cheating. We all
have to take our share of the blame. I was inspired to write this
song after listening to Nas' "black girl lost".

12. Rhyme -The remedy

Reason-This song is the code of the streets. All I did was

bring it to a bigger stage using a story of revenge to entangle my
listeners and bind them to the song hoping to make known to the
world that this is why having heart means respect and respect
means royalty.

13. Rhyme-Kaos Theory

Reason -This was a look into the struggle inside the mind of a

young man trying to get a grip on reality or at least a shred of
sanity. wrote this because at times i have had thoughts of suicide
and questioned my own mental state as many others my age
struggling do.

Millenium: How Far Will You Go?

This is the second single from Millenium and only official
video on HOA 1999.

Millenium: Washington City Paper

Publicity Contact: arufus@houseofabdul.com

© 1998 House of Abdul

Go for Broke

Eighteen-year-old MC Millenium's
manager and producer bet a
bundle because they believe
in his music. That makes
two of them.






       The alley outside the Spy Club is still empty. Doors opened at 10 p.m., but as of 10:15, the crowd for the night's "hip-hop kulture" event has not yet arrived. Anticipating their arrival, Louis "Fahim" Smith patrols I Street NW with an armload of paper, strategically placing bright yellow posters on lampposts up and down the block. Fahim (Smith, he says, is his "government name") is co-owner of D.C.-based Ofphspringg Entertainment, a prospering local promotions company. He flacks for major rap acts such as Helter Skelter and the Cocoa Brovaz as well as for the hiphop magazines Double XXL and Rap Pages.

Read more...

By Neil Drumming • December 11, 1998

Millenium: Gunpoint

Published by The Infinite Loop, ASCAP
written and arranged by Spatcho B, Rah Dee and Millenium
From the lp Kaos Theory
© 1998 House of Abdul

Chorus:x1 

featuring (Spatcho B)

Some boys are impersonators ah play what we play
Talk what we talk and ah say what we say
They better leave us alone find a style of their own
They're nothing but followers in their own blood they're gonna drown.

Verse1:
featuring (Rah Dee)

I specialize in ripping mindstates for those who didn't know
Hit you with the verbal blow testing lyrical flows
Till i feel free ripping viciously real deal philosophy
Son who wanna test me
Your inability to plot trying to blow up my spot
Oh yeah you mad now bow down steady watch you fall down
I'm doing you a favor remember who created the styles I devour
Peeping my bravado
If you can't stand criticsm nigga you'll never grow
Hit you with the hypnotize and your realizing my ill flows
The wrong crew is what you chose got you in a hold
Simply locked down by gunpoint two type angular
Bet I'm really changing ya watch me mangle ya
Flip the script on ya crew what'cha gon do
when I come and look for you
You better use the rules it ain't gon be no
peace til your ill rhymes cease.

Chorus:x2

Verse2:
featuring (Spatcho B)

Millenium reload my gun cause i'm a big bad man
Old pioneer in the biz some little wanna -be-thugs
Who want to live the way we live but when
they're talking just let them talk
Cause if them Dis' we blast their face
Like the night rider in our viper well
equipped with all these guns
Don't you say another word cause this is
death before dishonor Don't you run don't you hide
Cause i'm coming at you i'm like the city of angels in constant danger
Blasting up your face like the world trade center
cause we're to hot to hold we're not afraid of no one
And if they come in a group we'll shoot up the whole gang
In our lincoln navigators we have a mission in hand
We have our gun's in our laps and our fingers on the triggers
They dis us and we laugh but we're old old "Ragga-Ragga"
They never knew that we were bad men from southa
They never knew our style now they get us "Ragga-Ragga"
Cause man we're bad man.

Chorus:x2

Verse3:
(Millenium)

I'm trying to keep calm but this heat up in my palm
Make me wanna bomb and do your physical critical harm
You've been warned on more than one occasion
once at the nightclub then at the days inn
Fuck the talking I'm blazin
More ways in that ass than Damon I ain't vexed yet
I'm serious best believe this red dot ain't a death threat
You ain't worth the ground I walk on this chromeplated
glock that i cock on the steel microphone i talk on
No more pardons you done got me mad now
Fuck the beef nigga I'm the plague not the mad cow
Oh yeah you bad now run around acting like me
And got a whole lot of niggas think you packing like me
It's millennium the one and only let's get it straight
And i'm gon run this shit fron nine eight until my spine break
Words to any competition who think they can fade me
Buy a cheap casket cause in the end your label pays me.......Muthafucka.

Chorus:x2

Millenium: She's Leaving With Me

This is the first single from Millenium on HOA 1998.

Millenium: How Far Will You Go?

Published by The Infinite Loop, ASCAP
written and arranged by Millenium
From the lp Kaos Theory
© 1998 House of Abdul

Chorus:x2

Everybody want it but every can't have it
It's amazing what people will do just to grab it
For that cream alot of teams will start clapping
Why do we need cash cause alot of stuff happens.

Verse1:

How far will you go to touch that cream
Would you kill another man just to clutch your dream
Or get a little closer acting like you ain't supposed to
Packing a black mac wetting backs with your toaster
Rushing spots or even bussing on cops in the open
To me it seems the cream got you choking
It got you scoping pulling jooks on crooks
Cause poverty got you shook and you ain't trying to look
You ain't trying to be took into the underclass community
You used to be all about the peace love and unity
Now you and me both know but you chose to go
While I grow you going low to get your hands on that dough
You chose the road of the bold cause this world is cold
Reigning terror on the globe just to fill your billfold
It got a hold on you something tight it ain't right
Thought you beat the schemes but it's cream blinding your sight.

Chorus:x2

Verse2:

Deep in the hole no hope of returning
Outside cold-hearted persona inside you burning
Now you learning just how hard life is
Left the biz spend more time with your wife and kids
Now you living in that same hell hole you built
Poverty stricken god forbidden drugs and filth
Feeling guilt for all the sinful things you done
Saying no to drugs ain't easy when you selling it son
The war ain't done you still trying to get that cream
Forfill your dream promised that this was your last fast scheme
All you had to do was sell some rocks for doc
Tip the cops get away with ten gee's off top
Point the spot where they got all the guns and stash
Informing cops pay at least 20 gee's in cash
Gotta flash in your mind that you gonna live bigger
Get away scot free with ten digit figures how you figure...Nigga.

Chorus:x2

Verse3:

How in the world you think this plan gon work
You thought you'd flee with the money and nobody get hurt
Stupidness and negativity don't mix
That's like trying to breed a lion with columbian pits
If it fit's wear the shoe that's the motto you spoke
Got to the spot but you see doc moved the coke
Almost choked then you quickly broke back to your crib
Found a note that said we holding your wife and your kids
Eyelids feeling heavy hope you make it in time
Thinking in your head I hope he trade they life for mine
Pulled up to his crib and jumped out of your ride
His bodyguards said doc waiting for you inside
Could've died on the spot your fam already been shot
He smoking pot with a glock pointed right to your knot
You forgot that greed speed demise on lives
How far will you go? far enough to die.

Chorus:x2

Millenium: Fantasia

Published by The Infinite Loop, ASCAP

written and arranged by Millenium
From the lp Kaos Theory
© 1998 House of Abdul

Chorus:x2

This enchanted love of ours.

Verse1:

I remember seeing her in my dreams stroking her splene
Trying to figure out exactly what this all means
God it seems i'm trapped up in emotions
And through all of the commotion overdose on love potion
Her sexual motions got me hung using her tongue
Got me sprung word born screaming her name from my lungs
It started out as fun I should've known better then to flow with her
Started out as friends now I zone with her
Chill at home with her when she feeling alone
We talk for hours late at night and fall asleep on the phone
I make her moan when it's hot and steamy caught up in passion
me and fantasia apart I can't imagine
Or even fathom the thought of us getting caught
It's not everyday you find someone who hits you in the heart
>From the start we should have called it quits just wouldn't work
Cause in the process I knew someone was going to get hurt.

Chorus:x2

Verse2:

I remember just how it began me and my man
Cruising in the land getting me a girl was the plan
We cruised the city for potentials pumping instrumentals
The girls was fine but they lacked the credentials
I know i'll see more we take a detour
Morgan state U down in B-more exit three- four
Or should I say six-o Moravia was the exit
Playas we stressed it game couldn't wait to flex it
But hold up we pulled up beside this black beretta
Butter leather perping like she got a little cheddar
But we knew better wit no delay in his game
The light about to change asked her for her number and name
Who would've ever thought one week later I'd call my man
And he'd be telling me son I put a ring on her hand
Damn my nigga was sprung cat got him by the tongue
that's when i knew our friendship was done.

Chorus:x2

Verse3:

I remember the first phone call that I got
Fantasia was crying begging me to come to her spot
When I got there she said that "your man abused me"
When i approached him he said "how could you accuse me"
Then he left told her take a breath then I started rubbing her
Fantasia kissed me seconds later i was loving her
This secret love affair carried on for a year
But we both knew us ending this love was very near
I hear a door open up while I'm naked in bed
My man standing there eyes wide shaking his head
Got a gun in one hand and some weed in the other
Asking me how could I sleep with his lover I'm like his brother
I'm sitting there watching him put slugs in the clip
Telling him to get a grip and don't end it like this
I'm steady begging him trying to calm him down but he won't
Cocked the hammer back and put it down his throat.

Chorus:x2

Millenium: Everclear

Published by The Infinite Loop, ASCAP

written and arranged by Millenium
From the lp Kaos Theory
© 1998 House of Abdul

 

Verse1:

Look how far I made it baby alot of niggas acted shady

Now I'm playing the same broads that used to play me
The same ones that tried to fade me saying I'd never make it
Determination couldn't break it although alot tried
Plus alot lied my niggas alot died
Their families alot cried frequently the cops spied
Now I'm trying to cop the five with the roof and bubble it
Ten times the cash I got now and still double it
My lifestyle don't trouble it give me props and move on
You niggas be acting dumb when I'm getting my groove on
For too long I've struggled look at all that I've lost
My mother bamboo and I'm still paying the cost
Although I floss expensive vee's got cheddar in
Bank accounts across seas living like a paid veteran
You niggas still tessing trying to make me give in
You can't win nigga I'm from the same hood you live in.

Chorus:x2

It's everclear to me look at how far I done came

>From being on the bottom to on top of this game
Look at all the things I suffered through to make it this far
But that's the price you gotta pay if you want to be a star.

Verse2:

I went from taking flics to making movies

From wearing fake jewelry to rocking
diamond cut scotland rubies
From being unknown to a superstar status
From broke to making niggas say they
wish they could've had this
I been the baddest since playas was rocking penny loafers
And cats had eight tracks and velvet sofas
And still won't stop til I'm sitting on top with the drop
And I'm the best thing since biggie and pac
And I'm a national Icon black python
Pass the rimshot can't sleep you know this shit's hot
Although alot of brothers did sleep and turn they backs on me
I still had alot of cat's betting stacks on me
Now producers throw tracks on me begging for raps
But before they used to half ass on selling us tracks
From buying blank tapes writing my name on the backs
To having my name on cassette C.D and wax how real is that.

Chorus:x2

Verse3:

To all the creditors and enemies we used to duck y'all

(What you say to them niggas now millenium)fuck y'all
I ain't got no love y'all all that stress on my chest
Had me looking over my shoulder loosing much rest
I remember all the paid niggas used to joke and game me
That's why I find it funny that y'all say the money changed me
How could you blame me put yourself in my shoes
I'm struggling while you players steady flashing your jewels
Therefore it's only fair that I get love too
And if you don't like me getting mine then fine fuck you
Cause no matter what happens I'm a still get paid
And no matter what happens I'm a still get played
But that's life she's a bicth you could love her or leave her
I'm a stay here keep putting hits on the reciever
So debate with this or relate to this
That's all I got to say I'm bout to skate with this...One love

Chorus:x2

Millenium: All Up In The Game

Published by The Infinite Loop, ASCAP
written and arranged by Millenium and Jady Experience
From the lp Kaos Theory
© 1998 House of Abdul
 

Chorus:

Scratching- Your all up in the game

and don't deserve to be a playa.

Verse1:

Cash rules everything around me

Got me running up in boundaries
robbing niggas thug immortal
Sometimes I don't want to live
I feel like I've given life every
muthafucken thing I've got to give
What's left for me except starving and pain
In order for me to maintain stay deep in the game
Walk these streets with the thoughts of beef clenching my four fifth
Forget that poor shit I'm gon be paid when this war hit
This game got my brain on flip I gripped my own neck
Promising god I'll meet death blessed by my own tech
At night's it's hard to sleep keep one eye on the door
The other eye on my hor cause I'm never quite sure
Cause she could be the one that's fooling me
Be the one that took my life and be at the funeral reading the eulogy
If I want something then I'll take it
I'll see you when I get there if I make it.. You feeling me.

Chorus:

Verse2:

featuring (Jady Experience)

You lost that luster kid now all them diamonds stopped shining

Lost in the world the first time you felt behind
And now you struggle back to the commomn man
Thought you had a plan but from the start you couldn't grasp it
Remember when you used to get your ass kicked
And catch a fat lip Man I was there from the get
Then out the blue you caught a deal and your roots you forget
They suckin you dry something around 40%
Intent to stay bent say young
cat didn't deserve that flipped your styles on R&B tracks and sound wack
Workin hard on the album that your label pushed back
Told you take it slow but still end up trustin them cats
Now countereact or hang it up for real kid
Caught you rhymin in a cypher and you didn't blend in
You just pretendin flauntin like you know what you want
Forget them days we had when you used to live with your aunt
Keep shootin blanks and you fakin righteous
Step to me again sheist and I'm a leave your ass deflated
Heads bigger so couldn't see the bigger picture
I want that true nigga back till I see him I'm a dis you.

Chorus:

Verse3:

I'm all up in this game and it's serious my life I'll give for it

To run up on a hater and buss that rush I live for it
Was small time until I made it upstate
And got with Jay-D to make these moves and triple my weight
We needed alot of dough so I collected on cake
Dead niggas got no passes so we ran up in wakes
While they was singing sad songs son I'm mad gone
Openend the casket and took the armani suit that he had on
Things wasn't alway's this way I feel lost
Afraid to open the bible or look at the cross
It feels like the jewels I floss keep burning me
It feels like I'm awake undergoing open-heart surgery
Playas done tried to murder me claiming I'm false
Most of them are missing or no longer have a steady pulse
It's like this the same game that make you can break you
It could put you on top or take you but that's the game playa what!

Chorus:

Millenium: Kaos Theory

Published by The Infinite Loop, ASCAP
written and arranged by Millenium
From the lp Kaos Theory
© 1998 House of Abdul

 

 

 

 

 

 

 Verse1:

Lately I'm hearing voices everywhere that I go

Feel's like I'm loosing it I can't take it no more
Heard my mom's speaking to me shit had me in tears
But it couldn't be true she been dead for six years
Man what's going on feels like I'm left for dead
And everybody trying to put a fucken bullet in my head
Please somebody help me lately I'm feeling weak
Last night I felt death kiss me right on my cheek
It made my body tremble and my blood turn cold
Only 17 felt like I was 80 years old
It's like I've cheated death it seems too many times
Seen it take the breath from the most
deadly minds my god it's getting closer
I tried taking a pill but stress it can't kill
So ill got me on the second page of my will
I feel as though life for me is nearing it's end
Kaos Theory got me needing more than a friend.

Chorus:x2

Sometimes do you close your eyes

And wonder if it be the last time you see blue skies
Do you ever wonder what does life really mean
Kaos Theory is this for real or a dream.

Verse2:

It seems like everytime that I walk out my room

I hear death telling me that I'm going to meet him real soon
Think about ready to die and how that album played out
Will I be a statistic or simply fade out
Son it's no way out it's like praying don't work
This shit hurt voices threatning me while I'm in church
This revelation of death taking my last breath
Got me trapped in my house always close to my tech
Vexing on my family can it be the man in me
Or am I just simply loosing my sanity
Banging my head on the wall looking for answers
Maybe cancer but damn I don't smoke
My mind is playing tricks on me when
i'm awake it's like i'm sleep
Reality done flipped the scripts on me
Sometimes even ugly ducklings look beautiful
Shit's rough when you planning out
your own funeral..And that's real.

Chorus:x2

Verse3:

I don't know why these voices got my head full of sorrow

Cause shit ain't nobody promised me tomorrow
Plus shit ain't gonna move unless I make it
My dough ain't gonna rise unless I
bake it so chances I take it
This not the first time this type of thing took place
Just in case I pray to god forbid I fall from grace
It's a catastrophe voices badger me using blasphemy naggin me
And probably won't stop until they capture me
My sanities going quickly i'm feeling sickly
These day's in many way's I feel my crew ain't even with me
Playing russian roulette with my
revolver cause death tempts me
Five in the chamber with only one empty
Like a death match with hell's  angel and no referee
This might be the death of me there's nothing left for me
No more writing is needed signed Millenium
And if I die in the struggle so be it.

Chorus:x2